Prambanan

wasandi - Prambanan is the ninth century Hindu temple compound in Central Java, Indonesia, dedicated to Trimurti, the expression of God as the Creator (Brahma), the Sustainer (Vishnu) and the Destroyer (Shiva). The temple compound located approximately 18 km east of Yogyakarta city on the boundary between Yogyakarta and Central Java province.

The temple is a UNESCO World Heritage Site, currently is the largest Hindu temple in Indonesia, and is one of the largest Hindu temples in south-east Asia. It is characterised by its tall and pointed architecture, typical of Hindu temple architecture, and by the towering 47m high central building inside a large complex of individual temples.

Construction

Prambanan is the largest Hindu temple of ancient Java, and the construction of this royal temple was probably started by Rakai Pikatan as the Hindu Sanjayas answer to the Buddhist Sailendra's Borobudur and Sewu temples nearby. Historians suggested that the construction of Prambanan probably was meant to mark the return of Hindu Sanjaya dynasty to power after almost a century fell under Buddhist Sailendra domination on Central Java. Nevertheless the construction of this massive Hindu temple signify that the Medang court has shifted its patronage from previously favour Mahayana Buddhism to Shivaist Hinduism.

A temple was first built at the site around 850 CE by either Rakai Pikatan or Balitung Maha Sambu the Sanjaya king of the Mataram Kingdom. According to Shivagrha inscription that wrote chandrasengkala ”Wwalung gunung sang wiku” (778 Saka/856 M), the temple was built to honor lord Shiva and the original name of the temple is Shiva-grha (the house of Shiva).[2] Indeed, some archaeologists propose that the idol of Shiva in the garbhagriha (central chamber) of the main temple is modelled after King Balitung, serving as a depiction of his deified self after death.

The temple compound was expanded by successive Mataram kings such as Daksa and Tulodong with the addition hundreds of perwara temples around the chief temple. Prambanan served as the royal temple of the Hindu Kingdom of Mataram, with most of the state's religious ceremonies and sacrifices being conducted there. At the height of the Mataram kingdom, scholars estimate that hundreds of Brahmins with their disciples lived within the outer wall of the temple compound. The urban center and the court of Mataram were located nearby, somewhere in the Prambanan valley.

Abandonment
In the 930s, the court was shifted to East Java by Mpu Sindok, who established the Isyana Dynasty. While the reason for the shift remains uncertain, it was probably caused by an eruption of the volcano of Merapi located north of Prambanan, or a power struggle. That marked the beginning of the temple's decline. It was soon abandoned and began to deteriorate.
The temples themselves collapsed during a major earthquake in the 16th century. Although the temple ceased to be the important place of worship, the ruins scattered around the area itself still recognizable and known to local Javanese people in later period. The statues and the ruins become the theme and the inspirations for the Loro Jonggrang folktale. After the division of Mataram Sultanate in 1755, the temple ruins and Opak river mark the boundaries between Yogyakarta and Surakarta (Solo) Sultanates.

Rediscovery

In 1811 during Britain’s short-lived rule of the Dutch East Indies, Collin Mackenzie, a surveyor in the service of Sir Thomas Stamford Raffles, came upon the temples by chance. Although Sir Thomas subsequently commissioned a full survey of the ruins, they remained neglected for decades, with Dutch residents carting off sculptures as garden ornaments and native villagers using the foundation stones for construction material.

Half-hearted excavations by archaeologists in the 1880s merely facilitated looting. Reconstruction of the compound began in 1918, and proper restoration only in 1930. Efforts at restoration continue to this day. The main building was completed around 1953. Since much of the original stonework has been stolen and reused at remote construction sites, hampering restoration and since a temple can be rebuilt only if at least 75% of the original masonry is available, only the foundations of most of the smaller shrines are now visible with no plans for their reconstruction.